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Featuring over 450 archival photographs and line drawings, Chinese Dress: From the Qing Dynasty to the Present traces the evolution of Chinese clothing from court and formal costumes to the fashions of modern China. A comprehensive and sumptuously illustrated book, Chinese Dress is the essential reference for costume historians, fashion designers and collectors, as well as lovers of beautiful clothes everywhere. Chapters include:
- Dress of the Qing Manchu Rulers 1644-1911
- Dress of the Manchu Consorts 1644-1911
- Attire of Mandarins and Merchants
- Attire of Chinese Women
- Republican Dress 1912-1949
- Clothing of the Lower Classes
- Clothing for Children
- Dress in New China 1950-2006
- Sales Rank: #996560 in Books
- Brand: Brand: Tuttle Publishing
- Published on: 2008-01-15
- Released on: 2008-01-15
- Original language: English
- Number of items: 1
- Dimensions: 12.00" h x 1.00" w x 9.00" l, 3.64 pounds
- Binding: Hardcover
- 240 pages
- Used Book in Good Condition
Review
"Valery Garrett's research on Chinese dress, especially that worn by the local people, has been a constant inspiration to me as a fashion designer in New York." —Vivienne Tam, fashion designer
From the Inside Flap
"Valery Garrett is one of the few scholars working in the field of Chinese costume studies to consider the very real issues of continuity and evolution of the dress of nearly a fifth of the world's population, thus broadening our understanding of this rich, dynamic history". John E Vollmer, author and scholar.
"Valery Garrett's research on Chinese dress, especially that worn by the local people, has been a constant inspiration to me as a fashion designer in New York" Vivienne Tam
"As China becomes ever more important on the world scene, we can expect to find greater Chinese influence on both art and fashion. Valery Garrett's work on the history of Chinese dress will be a significant resource for both scholars and designers." Dr Valerie Steel, Director, Museum at the Fashion Institute of Technology, New York.
"Valery Garrett needs no introduction to students of Chinese dress. Her latest publication embodies the fruits of decades of devoted study in all related fields, assiduous collecting and technical know-how." Dr James Hayes, author and historian.
About the Author
Valery Garrett is a respected authority on Chinese dress from the Qing dynasty to the present day. She lectures frequently, and has served as a consultant for museums and collections around the world. Her personal collection of Chinese dress has been exhibited at the Victoria & Albert Museum, London, as well as in museums in Hong Kong, Macau, Canada, and Australia.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A work of art
By Dr. David Yee
Marvelous in its breadth and scope, Valery Garrett regals the reader with over three hundred years of Chinese dress and its historical context. Evident is the author's passion for the beautiful garments worn in China's last dynasty to the present. This phenomenal book is a welcome addition to scholars and collectors alike and should be required reading for those interested in Chinese art and history.
3 of 3 people found the following review helpful.
Chinese textiles
By Dr. John K. Fong
A comprehensive work on Chinese textiles in the last Dynasty of China and the early 20th Century which is profusely illustrated. It is an excellent book for any collector or person interested in this field.
Highly recommended. This book doesn't repeat information which has been previously published but gives a fresh view.
4 of 4 people found the following review helpful.
Beautiful book
By Crusader70
Generation gaps are a fact of modern life, but nowhere have they been as wide or frequent as in China, where nearly every decade has seen Chinese society remade to an astonishing extent. One area in which these enormous political and social changes can be traced is in clothing: from dragon robes to cheongsams, Mao suits to Yves Saint Laurent, garments tell the story of China's modern history.
Valery Garrett, the author of eight previous books on the subject and a doyenne of the field, is well placed to trace that fascinating evolution. In Chinese Dress: From the Qing Dynasty to the Present, she has produced her magnum opus.
Qing dress was about rank and control: one could gauge exactly where a subject stood in the imperial, civil, military or social hierarchy by a quick and careful study of robe, hat and accessories (designer handbags not yet having been invented). A massive work of regulations and penalties on the subject was promulgated by the Qianlong Emperor to ensure that Manchu customs were not "subsumed and diluted by Chinese ways." Using the first of more than five hundred gorgeous, mostly colour, illustrations, Chinese Dress explains how to "read" such key exemplars of this system as embroidered "dragon robes" and "mandarin squares." A rich resource for the experienced scholar, these chapters will open the eyes of those new to the intricacies of imperial dress in a way akin to first learning characters.
With much talk of cuffs and vamps and hems, a book so specialized runs the risk of glazing the eyes of the sartorially clueless, but the veteran author wisely spices the narrative with both the Chinese history needed to place the fashions in context and many interesting asides. Thus the perennially fascinating practice of footbinding is explored in every disturbing detail: braided ankle covers, hidden heel supports and puttees just part of the paraphernalia required.
The focus of Chinese Dress, however, and where it breaks new ground, is 20th-century fashion and the dramatic political and social changes that shaped its evolution. This second half of the book draws on the author's explorations in '70 and `80s New Territories Hong Kong, and her interest in the dress and culture of ordinary people; the garments and accessories collected during these efforts now reside at the Victoria & Albert Museum.
A short review can only hint at the contents of Chinese Dress. Wedding, military and peasant attire, hats, shoes, jewelry and accessories are all discussed and illustrated in sumptuous detail. Children's wear, with its focus on "locking the child to the earth" and protecting him (too rarely her) from theft by evil spirits is particularly fascinating: so too the culture's elaborate funerary practices.
Chinese Dress is a beautifully presented and accessible work of scholarship that retells the remarkable story of China's modern transformation from a unique perspective.
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