Sabtu, 28 Juli 2012

[E184.Ebook] Free PDF Father Comes Home From the Wars (Parts 1, 2 & 3), by Suzan-Lori Parks

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Father Comes Home From the Wars (Parts 1, 2 & 3), by Suzan-Lori Parks

Finalist, 2015 Pulitzer Prize for Drama

"The finest work yet from this gifted writer."—The New York Times

Offered his freedom if he joins his master in the ranks of the Confederacy, Hero, a slave, must choose whether to leave the woman and people he loves for what may be another empty promise. As his decision brings him face to face with a nation at war with itself, the ones Hero left behind debate whether to escape or wait for his return, only to discover that for Hero, freedom may have come at a great spiritual cost. A devastatingly beautiful dramatic work, Father Comes Home from the Wars (Parts 1, 2, & 3) is the opening trilogy of a projected nine-play cycle that will ultimately take us into the present.

Suzan-Lori Parks became the first African American woman to receive the Pulitzer Prize for Drama for her play Topdog/Underdog in 2002. Her other plays include The Book of Grace, In the Blood, Venus, The Death of the Last Black Man in the Whole Entire World, Fucking A, Imperceptible Mutabilities in the Third Kingdom and The America Play. In 2007 her 365 Days/365 Plays was produced at more than seven hundred theaters worldwide. Parks is a MacArthur Fellow and the Master Writer Chair at the Public Theater.

  • Sales Rank: #45413 in Books
  • Published on: 2015-06-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .60" w x 5.30" l, .0 pounds
  • Binding: Paperback
  • 192 pages

Review
"One of the top plays of the year... A richly textured mix of Brechtian allegory and Homeric epic, finding new meaning in an essential American tragedy.” —Richard Zoglin, Time

"By turns philosophical and playful, lyrical and earthy, Father Comes Home from the Wars (Parts 1, 2 & 3) swoops, leaps, dives and soars, reimagining a turbulent turning point in American history through a cockeyed contemporary lens... The wonder of Ms. Parks’s achievement is how smoothly she blends the high and the low, the serious and the humorous, the melodramatic and the grittily realistic." —Charles Isherwood, New York Times

"Suzan-Lori Parks’s stunning new drama is that rare work of art: one that bears the heavy burden of its subject matter—the peculiar institution of American slavery— but that carries it lightly... Parks brings the full force of her dramatic power. She both elevates her themes with echoes of classic literature, while at the same time doubling down on comedy... This is serious work that is seriously entertaining." —Thom Geier, Entertainment Weekly

"The best new play of the year... It is bold, hugely entertaining, moving and thrillingly ambitious. Suzan-Lori Parks bids fair to create a sprawling multi-part epic to plant alongside August Wilson’s monumental Century Cycle, one of the great achievements in theater history. Parts 4 through 9 (or more?) can’t come fast enough." —Michael Giltz, Huffington Post

"Suzan-Lori Parks may reach back to the ancient Greeks for references and structure, but her play delivers an in-themoment gut punch. Father Comes Home from the Wars is an insightful, poetic, often heartbreaking look at the devastations of war and slavery and the complications of freedom." —Robert Feldberg, Bergen Record

"One of the most provocative playwrights we have." —Linda Winer, Newsday

"Can one-third of something already be a masterpiece? Seems like it to me... People long for stories that engage the deepest possible issues in the most gripping possible ways. Father Comes Home from the Wars is one of those
stories—or maybe more than one." —Jesse Green, New York

"Brilliant, beautiful . . . This haunting work is funny and tragic, whimsical and lacerating, poetic and poignant... If Parks can sustain her sprawling project at this level as it moves forward, there’s every reason to hope it will ultimately become no less significant and emotionally resonant an undertaking than August Wilson’s ten-play Century Cycle." —David Rooney, Hollywood Reporter

"Parks’s richest, most satisfying play... The real news isn’t that Parks has hit the mark with a complex and ambitious work—she undoubtedly has. It’s that the playful spirit of her best work turns out to be alive and well." —Tom Sellar, Village Voice

"Suzan-Lori Parks has finally arrived at classical proportions: her Civil War triptych is built along the sharp, symmetrical lines of Greek tragedy and Homeric epic... The language is poetic and formal, a modified nineteenth-century slave idiom, imbued with Parks’s improvisatory, jazzy irreverence... After decades in which Parks encouraged us to get lost in the holes of history, she’s playing where theater began: with song, story, ritual and catharsis." —David Cote, Time Out New York

"Provocative and rich... earthy and irreverently funny, neither pompous tragedy nor Ken Burns–type reenactment." —Elisabeth Vincentelli, New York Post

About the Author
Named one of TIME magazine’s “100 Innovators for the Next New Wave,” in 2002 Suzan-Lori Parks became the first African American woman to receive the Pulitzer Prize in Drama for her Broadway hit Topdog/Underdog. A MacArthur “Genius” Fellowship recipient, she has also been awarded grants by the National Endowment for the Arts, the Rockefeller Foundation, the Ford Foundation, the New York State Council on the Arts and the New York Foundation for the Arts. She is the recipient of a Lila Wallace–Reader’s Digest Award, a CalArts/ Herb Alpert Award in the Arts (Theatre) for 1996 and a Guggenheim Foundation Fellowship. She is an alumna of Mount Holyoke College and New Dramatists.

Her numerous plays include Father Comes Home From the Wars (2015 Pulitzer Prize finalist, 2015 Edward M. Kennedy Prize for Drama Inspired by American History, 2014 Horton Foote Prize), The Book of Grace, Topdog/Underdog (2002 Pulitzer Prize), In the Blood (2000 Pulitzer Prize finalist), Venus (1996 OBIE Award), The Death of the Last Black Man in the Whole Entire World, Fucking A, Imperceptible Mutabilities in the Third Kingdom (1990 OBIE Award for Best New American Play) and The America Play. Parks’s work on The Gershwins’ Porgy and Bess earned the production a Tony Award for Best Revival of a Musical in 2012. In 2007 her 365 Plays/365 Days was produced in more than seven hundred theaters worldwide, creating one of the largest grassroots collaborations in theater history. Her work is the subject of the PBS Film The Topdog Diaries.

Suzan-Lori’s first novel, Getting Mother’s Body, was published by Random House in 2003. Her first feature-length screenplay was Girl 6 written for Spike Lee. She’s also written screenplays for Brad Pitt, Denzel Washington, Jodie Foster and Oprah Winfrey, adapting Zora Neale Hurston’s classic novel Their Eyes Were Watching God, which premiered on ABC’s Oprah Winfrey Presents. As a film actor Parks has appeared in the fictional documentary The Making of Plus One, which premiered at the Cannes Film Festival in 2009.

In November 2008 Suzan-Lori Parks became the first recipient of the Master Writer Chair at The Public Theater. At The Public, and as she tours the country, she performs her innovative performance piece, Watch Me Work, a play with action and dialogue/a meta-theatrical writing class. She also serves as a visiting arts professor in dramatic writing at New York University’s Tisch School of the Arts.

Holding honorary doctorates from Brown University, among others, Suzan-Lori credits her writing teacher and mentor, James Baldwin, for starting her on the path of playwriting. One of the first to recognize Parks’s writing skills, Mr. Baldwin declared Parks “an astonishing and beautiful creature who may become one of the most valuable artists of our time.”

Most helpful customer reviews

1 of 1 people found the following review helpful.
A Masterpiece!
By Linda A. Rock
I had seen the first part at the Public Theater in NYC. Being able to read this magnificent play brought the experience back to me. Suzan-Lori Parks has written a masterpiece, soon to be regarded as a modern-day classic, I am certain! EVERYONE should read this play.

0 of 0 people found the following review helpful.
I love Guirgis, but I do not understand how this ...
By Amazon Customer
One of the most singular plays I've ever read. I love Guirgis, but I do not understand how this did not win the Pulitzer. I love having a hard copy for plays like this, and the sleek and thematic dual front and back covers are a gorgeous addition to this unmatched play. It will live on as a classic long after Parks' death. Do yourself a favor and buy it.

0 of 0 people found the following review helpful.
Not bad. I kept reading the play looking for an ...
By Yellowdog
Not bad. I kept reading the play looking for an "aha" moment that brought some new insight into the motivations of many Black Confederates but didn't see anything very new or dramatic.

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Jumat, 27 Juli 2012

[V755.Ebook] Ebook Download Changing Ideals in Modern Architecture, 1750-1950, by Peter Collins

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Changing Ideals in Modern Architecture, 1750-1950, by Peter Collins

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Changing Ideals in Modern Architecture, 1750-1950, by Peter Collins

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Changing Ideals in Modern Architecture, 1750-1950, by Peter Collins

Collins explains what Revivalism, Rationalism, Eclecticism, and Functionalism meant to those who practised them, examining the impact that social forces and the other arts and sciences had on architectural styles while recognizing the tectonic continuities that underlie the seeming ruptures between pre-modern, modern, and post-modern approaches to design. His work is infused with a deep sympathy for the classical spirit of the eighteenth century and he argued rigorously and passionately that Enlightenment ideas could be of real value to the architects of his generation, particularly since technology had made it possible to use them effectively. Collins's plea for sensitivity to tradition and the urban fabric while encouraging technological innovation and unprecedented programs makes his thought just as vital today as it was ahead of its time when first published. Collins had long wished to see an affordable, fully illustrated edition of his book and McGill-Queen's University Press and the McGill School of Architecture are proud to at long last fulfil this wish. The new edition includes a biographical sketch of Collins, a brief publication history of the work, and an introductory essay by Kenneth Frampton that discusses the importance of the work at the time it was first published and highlights its relevance for the architectural problems of today. Like the classic works of Hitchcock, Giedion, Pevsner, and Benevolo, Changing Ideals in Modern Architecture is essential reading and forms a striking contrast with other works on modernism, such as Reyner Banham's. It will be pertinent to all those interested in architectural history and theory, modern history, history of ideas, and aesthetics.

  • Sales Rank: #6780407 in Books
  • Brand: Brand: Mcgill Queens Univ Pr
  • Published on: 1998-07-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.12" h x 1.25" w x 6.97" l, 1.89 pounds
  • Binding: Hardcover
  • 308 pages
Features
  • Used Book in Good Condition

Review
"Even now, after so much of its substance has been elaborated by subsequent scholarship, Changing Ideals in Modern Architecture remains a pioneering achievement. It still provides an ideological history of the modern movement, covering an extremely wide trajectory and one which is animated throughout by a sharp critical bias. Its challenging originality stems from the way in which Collins constantly begs the question as to the fundamental nature of tectonic modernity as this has evolved over the last two centuries." Kenneth Frampton, from the Introduction

About the Author
Peter Collins was professor of archiecture, McGill University.

Kenneth Frampton is professor of architecture at Columbia University and the author of many books on architectural history and theory, including Modern Architecture.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Peter Collins puts it all into a delicious nutshell
By Gavin Farrell
Peter Collins is one of the more erudite architectural writers you will ever come across. This book was published in 1965, barely pre-dating the publication of Venturi's influential "Complexity and Contradiction in Architecture." Now that I've read both, if I had to recommend one, I would recommend Peter Collins. While Venturi attacks Modernism by simply saying "its not complicated enough, I like complex architecture (and therefore you should too)" Collins goes much, much more in-depth.

The various ideas architects have desperately flung around since 1750 are all traced, dissected, and put into their social contexts. Rationalism, Romanticism, Ecclecticism, Historicism/Archeology, Classics versus Goths, the Moderns, the various analogies to other fields architects have attempted - it is all discussed. The book stops at 1950, but this does not detract from its relevance in 2004, as we can see that architects have continued to explore connections with other genres in order to create their various forms. It is important to realize what we're doing and if it has ever be done before - and - it all pretty much has been. Not to despair though, Collins keeps it an interesting read, if you do not chuckle at his wit every now and then, then your sense of humor is dead. It is important to read this critically, and I found myself only very occasionally disagreeing.

One of my favorite chapters, which is almost a six-page long joke, is entitled "Architecture and Gastronomy." (and yet - it is not a joke!)

The only criticism of the book is perhaps his less-intensive use of illustrations than he might have. Those that he does include however are well-chosen.

A very closely related work to this is J. Mordaunt Crook's 1987 "The Dilemma of Style: Architectural Ideas from the Picturesque to the Post Modern." Crook makes a book that attempts to do essentially the same thing, but has a slightly diferent perspective. I mention it because I believe these two, Crook and Collins, should be read by any architect worth their salt.

Kenneth Frampton writes a fairly interesting introduction to the 1998 edition, hopefully this book will continue to have stamina for future generations of architects.

0 of 1 people found the following review helpful.
Thanks!
By Brittany Peters
A huge book for a great price! Thank you! I have already had to read like 8 chapters for one class!

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Jumat, 20 Juli 2012

[S310.Ebook] Ebook Download The Shape of a Pocket, by John Berger

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John Berger writes: 'The pocket in question is a small pocket of resistance. A pocket is formed when two or more people come together in agreement. The resistance is against the inhumanity of the new world economic order. The people coming together are the reader, me and those the essays are about - Rembrandt, Palaeolithic cave painters, a Romanian peasant, ancient Egyptians, an expert in the loneliness of certain hotel bedrooms, dogs at dusk, a man in a radio station. And unexpectedly, our exchanges strengthen each of us in our conviction that what is happening to the world today is wrong, and that what is often said about it is a lie. I've never written a book with a greater sense of urgency.'

  • Sales Rank: #12292568 in Books
  • Brand: Brand: Bloomsbury Publishing PLC
  • Published on: 2002-08-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .51" w x 5.08" l, .50 pounds
  • Binding: Paperback
  • 272 pages
Features
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From Publishers Weekly
This volume collects more recent essays that first appeared in a variety of languages in publications in Zurich, Madrid, Stockholm, Frankfurt, Helsinki and London. Since very few readers, even Berger fanatics, will have the linguistic skills to have experienced these texts in their original translated versions, it is useful to have them collected and available here in English. The 24 essays include impressions of artists such as Rembrandt, Degas, Michelangelo, Kahlo and Brancusi. There are the familiar farmyard observations from Berger as the rural dweller in the French Alps. Others, like the one titled "The Chauvet Cave" after a French site of prehistoric art, seem diffuse and free-form rather than focusing on a single subject. On Rembrandt, Berger is in his element, as if speaking about someone he knew personally: "obstinate, dogmatic, cunning, capable of a kind of brutality. Do not let us turn him into a saint." Some of the essays integrate the author's now-shaky memory, as when he writes, "I have the impression, that just after Brancusi's death in 1957, I visited his studio...." And he manages to get off yet another shot against his pet peeve Francis Bacon, in whose art, according to Berger, "pain is watched through a screen, like soiled linen being watched through the round window of a washing machine." Such overstrenuous attacks on a demonstrably major painter are tedious, but most of the present book, integrating the author's own aging and physical decay, rings as true as the rest of his much-appreciated work. (Dec. 28) Forecast: This book is a sure thing for Berger's regular readers and for larger campus art collections. For an extra $8.50, though, casual readers may prefer to pick up the above Selected, revealing the writer in his fierce prime and providing more than twice as much material.

Copyright 2001 Cahners Business Information, Inc.

From The New Yorker
For some fifty years, the reclusive British writer John Berger has thought a great deal about art and artists, and this collection of essays includes a moving tribute to Frida Kahlo and a brilliant meditation on the achievement of the Italian painter Giorgio Morandi. But everything Berger has written—essays, novels, criticism, screenplays—has been filled with his passionate concern for what used to be called the state of man. That preoccupation is on every page here, whether he is recalling the patience of Antonio Gramsci or discussing Degas's nudes. When Berger was young, his urgent left-wing politics sometimes thrust him into the role of provocateur. Now he is no less committed to making the hidden visible, but his sensibility has widened and deepened; his exegesis of the significance for us of the Fayum portraits, discovered in Egypt in the late eighteen-hundreds, is especially piercing. Berger is one of the few writers who answer questions we don't know to ask.
Copyright © 2005 The New Yorker

Review
"John Berger writes: 'The pocket in question is a small pocket of resistance. A pocket is formed when two or more people come together in agreement. The resistance is against the inhumanity of the new world economic order. The people coming together are the reader, me and those the essays are about - Rembrandt, Palaeolithic cave painters, a Romanian peasant, ancient Egyptians, an expert in the loneliness of certain hotel bedrooms, dogs at dusk, a man in a radio station. And unexpectedly, our exchanges strengthen each of us in our conviction that what is happening to the world today is wrong, and that what is often said about it is a lie. I've never written a book with a greater sense of urgency.'

Most helpful customer reviews

3 of 3 people found the following review helpful.
The Shape of a Pocket
By Stephanie S
This is one of the most extraordinary books I've ever read. All of Berger's writing is provocative, but this collection is particularly marvelous. I find myself picking this book up to read and reread the essays, over the years. It is a book that fills the heart, engages the mind, and changes one's way of seeing.

0 of 0 people found the following review helpful.
Great book. Metaphysical and though-provoking
By Jaclyn Fortier
Great book. Metaphysical and though-provoking. John Berger has an eloquence to say things all artists have only just begun to talk about.

0 of 0 people found the following review helpful.
Another gem
By Diane Langley
As usual Berger did not disappoint. I enjoy reading any and all of his writings and esp this one . very relevant to todays world which often seems to be tipped on it's head.

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Part of the market-leading graphing approach series by Ron Larson, PRECALCULUS WITH LIMITS: A GRAPHING APPROACH is an ideal student and instructor resource for courses that require the use of a graphing calculator. The quality and quantity of the exercises, combined with interesting applications and innovative resources, make teaching easier and help students succeed. Retaining the series' emphasis on student support, selected examples throughout the text include notations directing students to previous sections to review concepts and skills needed to master the material at hand. The book also achieves accessibility through careful writing and design-including examples with detailed solutions that begin and end on the same page, which maximizes readability. Similarly, side-by-side solutions show algebraic, graphical, and numerical representations of the mathematics and support a variety of learning styles.

  • Sales Rank: #85045 in Books
  • Brand: Brand: Brooks/Cole Cengage Learning
  • Published on: 2011-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.50" h x 9.00" w x 1.50" l, 4.60 pounds
  • Binding: School & Library Binding
  • 805 pages
Features
  • Used Book in Good Condition

About the Author
Dr. Ron Larson is a professor of mathematics at The Pennsylvania State University, where he has taught since 1970. He received his Ph.D. in mathematics from the University of Colorado and is considered the pioneer of using multimedia to enhance the learning of mathematics, having authored over 30 software titles since 1990. Dr. Larson conducts numerous seminars and in-service workshops for math educators around the country about using computer technology as an instructional tool and motivational aid. He is the recipient of the 2014 William Holmes McGuffey Longevity Award for CALCULUS: EARLY TRANSCENDENTAL FUNCTIONS, the 2014 Text and Academic Authors Association TEXTY Award for PRECALCULUS, the 2012 William Holmes McGuffey Longevity Award for CALCULUS: AN APPLIED APPROACH, and the 1996 Text and Academic Authors Association TEXTY Award for INTERACTIVE CALCULUS (a complete text on CD-ROM that was the first mainstream college textbook to be offered on the Internet). Dr. Larson authors numerous textbooks including the best-selling Calculus series published by Cengage Learning.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Great explaination
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i am a precalculus student and i need this for more explaination for myself to understand because of the class time is so short. it gives you all the answers and everything.

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Per the teacher the book is heavy on calculator usage. However, the book itself contains quality explanations of concepts and has been very helpful.

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An excellent textbook for precalculus for my high schooler
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An excellent textbook for precalculus for my high schooler. Very well explained concepts. It even has answers at the back of the book.

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  • Sales Rank: #492757 in eBooks
  • Published on: 2015-07-04
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Hollywood Mission: Possible: Piercing the Darkness of a Decadent Industry, by Steve Cha

Hollywood believes in "God," but who do they say Jesus is?

Hollywood Mission: Possible tells the true story of Steve Cha, a Christian who infiltrated Hollywood with the purpose of carrying out one mission: to bring the light of salvation to those entrapped by the powers of darkness. During his three-year journey, Steve evangelized many famous actors, actresses, directors, and aspirants in Tinsel Town. Though he faced obstacles and threats along the way, Steve survived the mission and now opens up his confidential file for the world to see.

Steve's revelatory autobiography recounts how the gospel was shared with celebrities such as Steven Spielberg, Brad Pitt, Harrison Ford, Dan Aykroyd, and many other stars. Unprecedented in the genre, Hollywood Mission: Possible will enlighten, humor, shock, and ultimately inspire readers. Its evangelism scenarios provide a solid script for Christians willing to answer God's casting call to bring spiritual light to the entertainment industry, and most importantly to the world. Discussion Guide Included.


"Here is the story of one man's testimony in Tinsel Town. Reading Steve's candid and compelling account made me wonder what I would say had I moment to share Christ with Brad Pitt, Kiefer Sutherland, or Tori Spelling." - Robert J. Morgan, Author, Speaker, Pastor

"Hollywood continues to set the pace in leading millions in Western culture to think and behave in more godless and self-destructive ways. The brokenness and hopelessness that accompanies Hollywood's philosophy is rarely pondered and less frequently exposed by those within its ranks. I am grateful for Steve Cha's heart, which so passionately desires to see those in today's movie and television industry come to realize their need for the gospel of Jesus Christ. How strategic it is to have those within the industry stand up and unabashedly proclaim the Lordship of Christ in such a needful time." - Dr. Mike Fabarez, Focal Point Ministry

"You may not agree with Steve's methods, but this book will motivate you to be a more passionate evangelist. Hollywood Mission: Possible is a fast-moving look at Cha's life, as well as his approach to evangelism, but ultimately it ends up making the reader ask this question: 'Am I doing all I can to reach the lost?'" - Jesse Johnson, Professor of Evangelism, The Master's Seminary
"After reading actor Steve Cha's account in Hollywood, I was truly convicted on the opportunities that I miss everyday to share the gospel. It takes cheek to witness in Hollywood and a fearlessness to lose your career for Christ. This memoir will help you rethink the way you approach people and to share the message of Jesus Christ, whether it is in your neighborhood or in tinsel town." - Corine Gatti, Editor, Beliefnet

"Whether you are a Christian who shares his/her faith, a Christian who doesn't, or simply a seeking unbeliever, I highly recommend this book. Never before have we witnessed firsthand the gospel being preached behind the scenes on actual movie sets and TV shows!" - Jonathan Khan, Outreach Trainer, Grace Community Church, Sun Valley, CA

  • Sales Rank: #615231 in Books
  • Brand: Brand: WinePress Publishing
  • Published on: 2011-11-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .71" w x 5.51" l, .89 pounds
  • Binding: Paperback
  • 316 pages
Features
  • Used Book in Good Condition

Review
"Here is the story of one man's testimony in Tinsel Town. Reading Steve's candid and compelling account made me wonder what I would say had I a moment to share Christ with Brad Pitt, Kiefer Sutherland, or Tori Spelling." - Robert J. Morgan, Author, Speaker, Pastor

"I am grateful for Steve Cha's heart, which so passionately desires to see those in today's movie and television industry come to realize their need for the gospel of Jesus Christ." - Dr. Mike Fabarez, Focal Point Ministry

"Hollywood Mission: Possible is a fast-moving look at Cha's life, as well as his approach to evangelism, but ultimately it ends up making the reader ask this question: 'Am I doing all I can to reach the lost?'" - Jesse Johnson, Professor of Evangelism, The Master's Seminary

"Whether you are a Christian who shares his/her faith, a Christian who doesn't, or simply a seeking unbeliever, I highly recommend this book. Never before have we witnessed firsthand the gospel being preached behind the scenes on actual movie sets and TV shows!" - Jonathan Khan, Evangelism Trainer, Grace Community Church, Sun Valley, CA

"After reading actor Steve Cha's account in Hollywood, I was truly convicted on the opportunities that I miss everyday to share the gospel. This memoir will help you rethink the way you approach people and to share the message of Jesus Christ, whether it is in your neighborhood or in tinsel town." - Corine Gatti, Editor, Beliefnet

About the Author
Steve Cha has worked in over a hundred film, television, and commercial productions in Hollywood. He is a member of the Screen Actors Guild and the American Federation of Television and Radio Arts. Steve is director of Uncensored, a Los Angeles based Bible fellowship, and is a speaker in promoting the Great Commission.

Most helpful customer reviews

3 of 4 people found the following review helpful.
Genuine author, yet not the best approach
By T B
Having worked with Steve on set, I admit he's such a nice guy and it's been a real encouragement to have another Christian brother on set. And yet I sadly can't really recommend this book. I grew up just as evangelical as him, have worked a bit on the mission field, and have been working on set for 8+ years thus far in Hollywood. His perspective is quite insulated and he's religiously quite hard on himself when he feels he let God down. Just as we need to speak (preach), we also need to have ears to listen and eyes to observe. More people in Hollywood than he realizes have heard the gospel and they simply internalize it and manifest it in their daily lives in ways different than Steve is used to. We each need to be weary of being overcome by a super-hero God-complex, which can manifest by (1) looking down on those unlike us who (2) we hope to save through our own righteousness (but we term "through Christ," using Christianese) when (3) we've lost sight of our own fallibility and sin in the midst of it, with (4) a religious spirit in, on, or over us feeding on each isolated emotional religious response one can get from those on set who seem receptive to talk religion. I respect Steve's ability to get the gospel into the hands of many more than I do, and yet I believe I've found a way to connect more personally with some in Hollywood, who don't seem to have their guard up as much to true relationship and honesty about my own struggles and questions. Respect and openness can then be built, laying a foundation to communicate the gospel in other ways. While Steve's stories are definitely quite fun to read, there's enough warning signs in this book that a particular Bible-based Hollywood ministry has recommended it not be read. Steve is a leader though in terms of boldness and getting the gospel into the hands of others.

2 of 3 people found the following review helpful.
Reaching a decadent industry for Christ
By Mark Vischer
If, as a Christian, you have ever wondered what it would take to reach the movie industry with the gospel this book is a must read. I am grateful to have met Steve at church and see his heart for the lost and to have learned through reading this book what it cost Him to proclaim the saving message of the gospel of the Lord Jesus Christ in a very dark industry. As Christians we are to preach the gospel to all, regardless of the consequences. Steve's book is a testimony to that reality. Hollywood Mission: Possible also serves as a reminder of the urgency of seizing any and every opportunity we have to proclaim the saving message of the gospel.

2 of 3 people found the following review helpful.
challenging
By E. OH
i've been a christian for a while but always had negative opinions of evangelizing to strangers or new acquaintances. i believed such methods were ineffective. After reading this book, it really posed a question for me. i can tell that cha is trying to convey the urgency of our mission to deliver the good news. perhaps i have been hiding behind my reasonings to avoid the challenges of active of evangelizing...

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The Responsive Guitar 2-book Boxed Set, by Ervin Somogyi

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The Responsive Guitar 2-book Boxed Set, by Ervin Somogyi

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The Responsive Guitar 2-book Boxed Set, by Ervin Somogyi

(Book). This limited edition silver-embossed, facsimile-autographed, slipcase holds both books. These books are essential for anyone who is interested in a comprehensive account of the modern guitar, and how a highly responsive guitar is made. They offer info from one of the most-revered luthiers of our times. No publication has ever presented trade secrets and practical information to truly change the way a person makes or appreciates the steel-stringed guitar. Ervin Somogyi is a Hungarian-born master luthier whose guitars are renowned for their responsiveness and tone trademarks for a great guitar. After almost five decades of making this instrument, teaching and writing about the development and construction of the guitar, Somogyi reveals the methods, techniques and philosophy behind his legendary instruments. The Responsive Guitar is about physics, dynamics, acoustics and construction of the guitar. It's about the mechanics of tone; what materials to build with, when to add or remove wood for maximum benefit, and why those techniques work. Somogyi explains in exquisite detail how the guitar makes sound, and what musicians and luthiers need to know in order to appreciate a really well-made guitar. This book sets the foundation for the matching volume Making the Responsive Guitar . Making the Responsive Guitar is the second volume on a two-volume set of books that set out the principles and methods of building fine hand-made guitars. Where Volume 1 sets up the knowledge, this book is about how to build a guitar, from the very first step to the last.

  • Sales Rank: #164987 in Books
  • Published on: 2011-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 13.75" h x 2.90" w x 9.50" l, 8.55 pounds
  • Binding: Hardcover
  • 624 pages

Most helpful customer reviews

15 of 16 people found the following review helpful.
Essential content, muscular English, INEXPENSIVE
By John Link
I've had these two books for just a few weeks and have read everything at least twice, many chapters many more times than that. Each time I go through I find something new. They only seem expensive. For the person who wants to move beyond merely producing a well made variation of a factory guitar, the information in these books can put you 10 or 15 years ahead of where you are now in your quest. What's that worth on a per year basis? They seem under priced when I think of them this way.

They are also useful for players and collectors who wish to expand their understanding of how the instrument works. To pick one example from many instances, Mr. Somogyi will tell you how a blues guitar benefits from a certain bracing pattern while a finger picked guitar works better using a different design.

The author is a master builder who has earned his place in the history of lutherie, yet he openly discusses methods that are alternatives to the ones he uses, right alongside his own approach. When one knows as much as Mr. Somogyi, there is no need to be dogmatic. Likewise, when one writes as well as Mr. Somogyi, there is no obfuscation of complex discussions, yet neither does he talk down to the reader. He treats his readers with respect and offers direct, plain-English access to what he has learned from his many years of rather profound work. At times, he demonstrates great love for the reader as well.

The books are beautifully made too. The paper is substantial, the photographs excellent, the layout elegant, all of which make them both easy and pleasurable to read. Contrary to one opinion expressed here, Somogyi did not need better advice about how to write a book. He set out to make the best books he could make and succeeded to the extent anyone who wants to do their best succeeds.

November 27, 2012: I've had the books for many months now. I added the word "INEXPENSIVE" to my review title for a very plain reason: These books contain more useful information than all the other lutherie books in my collection combined. The total cost of the other books was more than these two. Hence, using my "bang for the buck" scale, Somogyi's books cost the least.

I also recommend his DVD for anyone seeking to understand his "secret". The secret is there, almost naked, when he taps out a top that he tells the audience is destined to become the top of a finished Somogyi guitar. It is so openly presented some my miss its importance. "Tone" is the result of several entities: species of soundboard, thickness, grains per inch, brace design, choice and configuration of bracewood, surface area of top, location and size of soundhole, and so on. When combined, each specific mix contributes to the specific tone and responsiveness of a specific top. There is no single element that can be isolated from the others and declared "the secret", which frustrates many who follow Somogyi. A member of the audience wants to see the braces. Somogyi refuses. I'd bet dollars to donuts what is behind the "mystery top" is some variation of the many Somogyi tops photographed in the books. That is, it looked more or less like most other X-Braced tops made by advanced luthiers today. The braces are but one ingredient of many. Somogyi had already revealed his "secret" when he tapped out the top into a very high quality microphone recording the session. It is a good idea to play back that short segment over and over until you have a solid sense of the sound he generously offers to anyone who wishes to listen. Unlike factory guitars, guitars at his level are not the result of following specifications as closely as possible. While specs are a part of the process - and he offers many concrete, measured suggestions, such as top thickness, brace configurations, etc. - they are the starting point, not the final destination. That is reached in the adjusting process known as "voicing". Until you hear and internalize the sound of a great raw top, you are not voicing but rather removing wood and hoping.

That is, when a luthier builds a top he or she must be able to achieve and recognize a certain sound before the box is closed, finished, neck and strings attached, then finally played. There is little you can alter at that stage. However, when the top is still "raw" you can make changes to its "voice". The Somogyi DVD reveals in a very specific way what that "voice" sounds like when voicing is completed. Buy the books if you want to see what his braces look like, if you want to know his ball park specs, the woods he uses, the jigs, the molds, how to French Polish, determine neck set angle, join neck and body, bridge height, saddle construction, etc. Buy the books if you want to understand how the various parts can be altered and the likely outcomes of specific alterations and their combinations. Buy the DVD if you want to hear what the whole package - in the raw - ultimately sounds like. Buy them all if guitar making is important to you.

I also want to address whether these are beginner's books. The sheer volume of the discussion may lead some to think they are not "practical" for beginners. Certainly, they are a large meal that no one can digest in a few settings, whether beginner or expert. But if you are a serious beginner, they are extremely important, because they are utterly basic. They cover the foundation of what is of necessity a long journey. I have made some "good" guitars. If these books and DVD had been available when I started, they would have been much better, including the very first one. My other books would have been more useful to me if I had known the foundation he offers. If it is your first guitar you will still need something very specific, like the David Russell Young book, which is clearly written and not much money if you look for a used copy on Amazon. But if you don't alter Young's instructions with what you can learn and hear from the Somogyi material, you will get a good guitar that is overbuilt and restrained, though long on playability, and will sound as good or better than most factory guitars. But it won't be as good as it could be if you had digested just a little of what Somogyi offers.

Assuming your shop has most of the tools needed, there is still considerable money to be invested in quality materials for just one guitar, not to mention the immense about of time it takes to do the first one well from a technical point of view. We routinely pay $75 per hour to get our cars fixed. Somogyi's materials cost pennies per hour of use, and will pay off with an astonishing guitar, even if it is your first effort. You would do well to follow Young's advice to keep it simple looking because decoration contributes nothing to sound and decoration sloppily done hurts, rather than helps, the look, while consuming hours of time. But I would not worry about avoiding rosewood (as Young suggests). Instead, use quartersawn Indian rosewood, which is expensive, but not much more expensive than good quality mahogany. It is very stable and easy to work and you will get a more "live" instrument. Both authors suggest a laminated neck you carve yourself, but a CNC pre carved neck would do fine, especially if you avoid the difficult to fit dovetail joint. If you read nothing else in Somoygi, read his discussion of tops in both books and listen to his finished top in the DVD. Follow his suggestions and with a modicum of care, your first guitar should sound better than any factory guitar you can buy and many hand made instruments.

Whether you are a beginner or expert, never forget that the best instruments are achieved by paying attention to the basics. That is where great sound is born. That is what Somogyi's books and DVD cover.

10 of 11 people found the following review helpful.
A masterwork
By J. A. Whiteside
I purchased this book personally from the author over a year ago and was, and continue to be, absolutely delighted with it. This is a must-have book for the serious acoustic steel-string guitar maker. It is NOT an introductory how-to book. It is rather the masterwork of one of the greatest luthiers of our time, summarizing a life-time of experience. We live in the golden age of guitar-making; there are more luthiers today than ever. The field (at least for steel string guitars) is vibrant and creative, with many different schools of thought, building, and design. This book is the personal perspective of one of the most successful, respected, and yes sometimes controversial, guitar makers alive today.

Besides a wealth of information on theory, design, and construction, there is, underlying, a consistent philosophical thread throughout. This distinguishes it from any merely mechananistic "how to" book on guitar making, or virtually any other craft. The author's genius is that he communicates this philosophy, not directly or ponderously at all; its just sort of there, embedded in his lively and highly readable writing.

3 of 3 people found the following review helpful.
The nitty-gritty of guitar making
By Phildo77
These books are full of information for the more serious guitar builder. It would suit serious beginners and those who are more experienced also. I have started reading the second book first (Making the responsive Guitar), as I am building my first guitar at the moment. I was blown away by the amount of equipment that Ervin has in his shop...more than I think most people would have. He has a wall of about 15 laminate trimmers, I guess each with a different bit! However, great to see how this master goes about his work. Definitely worth the money. Especially when I have seen these books for sale in Australia for $650, which is ridiculous and shameful. I highly recommend, but like all guitar building books, you'll have your own way of doing things, or don't have the same machinery etc. Great exposure to Ervin's methods.

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Rabu, 04 Juli 2012

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UCLA School of Dentistry. Prosthodontics; atlas of oral implantology for practitioners. Photographic color plates.

  • Sales Rank: #4222052 in Books
  • Brand: Brand: Medico Dental Media Interntl Inc
  • Published on: 1989-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.50" h x 8.75" w x .75" l,
  • Binding: Hardcover
  • 250 pages
Features
  • Used Book in Good Condition

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